Model numbers and serial number dating are not available for this time period, making it difficult to accurately put together an exact production timeline. Because actual model numbers are not available, I’ve grouped the examples below by the physical materials of their construction — primarily by which combination of parts were made of nickel silver and which were brass. The three parts that were variously available in nickel silver were the leadpipe, the balusters (upper valve casings) and the slide tubing coming from each valve. I’ve identified four material combinations so far (Models A-D), each with either a brass bell or sterling silver bell.
1936-1946
Cornets from Reynolds’ first decade of operations feature an ornate engraving pattern across the width of the bell flare. Both brass and sterling silver bells feature significant filigree with the latter adding inlay gold as well.
F.A. Reynolds Cornet [B] with sterling silver bell
1946-c.1949
After Scherl & Roth took over operations in 1946, it appears that the engraving pattern changed to a vertical block lettering style. The brass bells were much simpler in style than the sterling silver bells and would not have required as much “finishing” time on the production line. The change in engraving patterns happened around SN 9000.
In the late 1940s, Reynolds introduced the Emperor (1947) and Contempora (1949) model lines. There were also minor design changes made to F.A. Reynolds cornets during this time period: while the overall design and bell engravings remained the same, the updated models can be distinguished by their lower profile valve buttons and flat bottom valve caps.
Serial number 21000 (c.1949) marks the approximate change to the updated design. In conjunction with these changes, it is likely, but not confirmed, that F.A. Reynolds cornets were designated as “Professional” models at this time. Of the various Reynolds’ models listed above, only [D] appears to have been produced in this time period.
F.A. Reynolds Cornet [D] with sterling silver bell | Note: Example photo is shown with brass leadpipe; according to the seller’s notes, this is a replacement of the original nickel-silver leadpipe.
Military Cornets
Reynolds also produced cornets for the U.S. Army Air Force (USAAF) service bands throughout the 1940s. These instruments have a silverplate finish with a different engraving style from the standard cornets and a large “U.S.” mark engraved on the bell rim.
Model
Size
Description
Example
TBD
Bore: TBD Bell: TBD
Reynolds Cornet with USAAF military engraving and silverplate finish | Other: B♭/A tuning ring
Reynolds Cornet with USAAF military engraving and silverplate finish | Later model without B♭/A tuning ring
Notes and Quotes
The original F.A. Reynolds cornets were based on the “underslung” design of the “King” Master Model cornets that Foster Reynolds helped create in the 1920s and ’30s at the H.N. White Company. The King and Reynolds models are considered by many to be some of the most outstanding cornets available in the first half of the 1900s.
Models before serial number 5000 featured an adjustment ring on the main tuning slide for “quick change” B♭/A tuning. This is a feature that Foster Reynolds undoubtedly carried over from his work at H.N. White, where a similar tuning ring had been featured on the King “Master Model” cornet.
Trumpet forum member iiipopes wrote the following regarding Reynolds’ “underslung” tuning slide design:
As far as I am concerned, [the] design in the bringing of the tuning slide underneath the valve block to the back side of the third valve is unequaled genius. It is much more comfortable to my left hand, as the heel of my palm rests on the lead pipe, keeping me from pronating my left hand, and by getting both the tubing and the heel of the palm out of the way, the left hand fingers are not cramped in working the 1st & 3rd valve slides. It also feels more balanced and not bell heavy or top heavy as the center of gravity is lowered on the horn, making it easier to hold. Moreover, the common sense expedient of the little extra medallion of brass on the ferrule and knuckle going into the valve block as a protection against dents has the positive effect of damping non-harmonic vibrations, helping the cornet retain center of pitch better.
F.A. Reynolds Cornets
Model numbers and serial number dating are not available for this time period, making it difficult to accurately put together an exact production timeline. Because actual model numbers are not available, I’ve grouped the examples below by the physical materials of their construction — primarily by which combination of parts were made of nickel silver and which were brass. The three parts that were variously available in nickel silver were the leadpipe, the balusters (upper valve casings) and the slide tubing coming from each valve. I’ve identified four material combinations so far (Models A-D), each with either a brass bell or sterling silver bell.
1936-1946
Cornets from Reynolds’ first decade of operations feature an ornate engraving pattern across the width of the bell flare. Both brass and sterling silver bells feature significant filigree with the latter adding inlay gold as well.
1946-c.1949
After Scherl & Roth took over operations in 1946, it appears that the engraving pattern changed to a vertical block lettering style. The brass bells were much simpler in style than the sterling silver bells and would not have required as much “finishing” time on the production line. The change in engraving patterns happened around SN 9000.
c.1949-1952
In the late 1940s, Reynolds introduced the Emperor (1947) and Contempora (1949) model lines. There were also minor design changes made to F.A. Reynolds cornets during this time period: while the overall design and bell engravings remained the same, the updated models can be distinguished by their lower profile valve buttons and flat bottom valve caps.
Serial number 21000 (c.1949) marks the approximate change to the updated design. In conjunction with these changes, it is likely, but not confirmed, that F.A. Reynolds cornets were designated as “Professional” models at this time. Of the various Reynolds’ models listed above, only [D] appears to have been produced in this time period.
Military Cornets
Reynolds also produced cornets for the U.S. Army Air Force (USAAF) service bands throughout the 1940s. These instruments have a silverplate finish with a different engraving style from the standard cornets and a large “U.S.” mark engraved on the bell rim.
Notes and Quotes
The original F.A. Reynolds cornets were based on the “underslung” design of the “King” Master Model cornets that Foster Reynolds helped create in the 1920s and ’30s at the H.N. White Company. The King and Reynolds models are considered by many to be some of the most outstanding cornets available in the first half of the 1900s.
Trumpet forum member iiipopes wrote the following regarding Reynolds’ “underslung” tuning slide design: