This trombone would be ideal for a player who wants a big bore sound in a jazz, entertainment or Latin setting but who doesn't want to have to fill out the sound and air volume of a Bach 42 or Conn 8/88H. The sound is big and dark but still with a brilliant edge to it, and the tone quality is consistent in all dynamics. It is incredibly easy to play, very open and yet with a little bit of resistance to help focus the sound. It is very 'economic', both when it comes to dynamics and air.
-- Nils Erik
Argenta Trombones
– George Henly
Introduced in 1959, the Argenta model is a larger-bore (.520″) tenor trombone made of solid nickel-silver. Models made after 1964 are lighter weight in construction and sound than the original Cleveland horns. Bell and slide sections from the different manufacturing plants do not fit perfectly together and the slide lengths and widths are slightly different as well. The Argenta model was discontinued c.1973 and its place in the Reynolds catalog was taken by the nickel-plated Onyx trombone.
1959-1964
Bell: 8½”
1964-c.1973
Bell: 8½”
Notes
The Argenta line of horns were some of very few band instruments, other than French horns, made completely of solid nickel silver. According to Reynolds’ trademark application, the name “Argenta” was taken from the Spanish word for “silver” even though, despite its close appearance, there is no actual silver in nickel silver. Nickel silver, also known as German silver or neusilber, is an alloy of copper, zinc and nickel. A representative alloy mix contains 65% copper, 17% zinc and 18% nickel (compared to 80% copper and 20% zinc for standard yellow brass). Nickel silver has similar characteristics to brass, but is harder and stiffer, making it a durable alternative often used on high-wear areas of a horn, including valve casings, hand grips, tuning slides and trim.
Instruments made of solid nickel silver tend to have a darker, clearer tone compared to standard brass alloys. Nickel silver emphasizes the lower and higher overtone series, resulting in a sound that resonates very clearly in the corresponding registers. Nickel silver horns also tend to project more dramatically than other brass alloys and can easily throw an ensemble section out of balance without care; they are often used where a homogeneous section balance isn’t emphasized, e.g. as a soloist instrument or in a small mixed-instrument horn line. That said, many have found satisfaction using Argenta instruments within big band groups and other similar settings.
Quotes
1959 Roth-Reynolds catalog:
1966 Reynolds catalog:
1970 Reynolds catalog: