Introduced in 1947, the Emperor trombone was Reynolds’ intermediate horn and a step up from the Roth model. The Emperor was targeted at advanced student musicians and community band players.
Model
Size
Description
Example
15
Bore: .500″
Bell: 7½”
Emperor Tenor Trombone | Materials: brass bell with nickel-silver bell flare; brass gooseneck and tuning slide; nickel silver bracing and trim | Slide: chrome-plated nickel silver inner slides; brass outer slides; nickel-silver hand grip and receiver | Finish: clear lacquer finish; optional silverplate bright bell or silverplate gold bell finish | Other: Brass “R” counterweight
15-B
Bore: .500″
Bell: 7½”
Emperor Tenor Trombone | Same as Model 15 with solid brass bell (no nickel-silver bell flare)
In conjunction with the premiere of Warner Bros.’ motion picture, Meredith Willson’s “The Music Man” (1962), RMC/Reynolds sponsored “The Music Man Contest” for individual musicians between ages 8-18, with national, regional and local award winners. “Official Music Man” models of the brass-bell Emperor trumpet, cornet and trombone were produced in conjunction with the contest.
1964-1970
After CMI purchased Reynolds, trombone production was reportedly moved to Olds’ plant in Fullerton, where Reynolds’ horns were produced on separate-but-similar manufacturing lines. One of the results of this move is that Olds’ traditional dual-bore trombone design was implemented on many of Reynolds’ student horns, including the Medalist and Emperor models. Note also the change in bell bracing ferrules.
Model
Size
Description
Example
TO-52
Bore: .485″/.500″ dual bore
Bell: 7½”
Emperor Tenor Trombone | Materials: brass bell with nickel-silver bell flare; nickel silver tuning slide, gooseneck, bracing and trim | Slide: chrome-plated nickel-silver inner slides; brass outer slides with nickel-silver slide receiver | Finish: baked epoxy coating; optional silverplate bright bell or silverplate gold bell finish | Other: Brass “R” counterweight
1971-1979
These late-model Emperor trombones are believed to be the same as the Olds Special, Model NL-15.
Model
Size
Description
Example
TO-50
Bore: .485″/.500″ dual bore
Bell: 7½”
Emperor Tenor Trombone | Materials: brass | Slide: chrome-plated nickel silver inner slides; brass outer slides | Finish: nickel plating with baked epoxy coating | Other: Rectangular “reynolds” counterweight; same as Olds Special, Model NL-15
No photo available
Notes and Quotes
1953 Roth-Reynolds catalog:
Reynolds Emperor Trombones designed for flexibility, fine tone quality and beautifully balanced scale. Nickel silver slides with chrome plated finish are correctly proportioned for fast action and durability. One-piece slides with drawn stockings. Deluxe models are equipped with “Silver-Flare” bells and both models are trimmed in nickel silver for rich appearance.
1958, 1959 Roth-Reynolds catalog:
Designed for flexibility, fine tone quality and beautifully balanced scale. Nickel silver slides with chrome plated finish are correctly proportioned for fast action and durability. One-piece slides with drawn stockings. Solid brass bell.
1966 Reynolds catalog:
Modestly priced for serious students who profit by its flexibility, rich tone quality and beautifully balanced scale. Medium bore; 7½” bell; solid nickel-silver slide receiver, tuning slide and bell flare. Professional mouthpiece, music lyre, modern case included.
1970 Reynolds catalog:
Solid nickel-silver receiver, tuning slide and bell flare give this instrument a distinctive tonal quality. Lightweight as an aid to the young player. Dual bores of .485 and .500 so that the performer can obtain a full tone with less effort. Bell flare measures 7½”.
1977 Reynolds catalog:
The Emperor Trombone has been designed for the young player who has progressed beyond the beginning stages. It withstands hard use and has a beautiful rich, full sound. Nickel-plated for contemporary appearance and sound. Lightweight and precision balance. Dual bore permits a full tone with less effort.
Emperor Trombones
1947-1964
Introduced in 1947, the Emperor trombone was Reynolds’ intermediate horn and a step up from the Roth model. The Emperor was targeted at advanced student musicians and community band players.
Bell: 7½”
Bell: 7½”
1964-1970
After CMI purchased Reynolds, trombone production was reportedly moved to Olds’ plant in Fullerton, where Reynolds’ horns were produced on separate-but-similar manufacturing lines. One of the results of this move is that Olds’ traditional dual-bore trombone design was implemented on many of Reynolds’ student horns, including the Medalist and Emperor models. Note also the change in bell bracing ferrules.
Bell: 7½”
1971-1979
These late-model Emperor trombones are believed to be the same as the Olds Special, Model NL-15.
Bell: 7½”
Notes and Quotes
1953 Roth-Reynolds catalog:
1958, 1959 Roth-Reynolds catalog:
1966 Reynolds catalog:
1970 Reynolds catalog:
1977 Reynolds catalog: